Film.Woman.Coffee – transnationalism and feminism in cinema.

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babel2

This Monday Film.Woman.Coffee provokes explicit reflection on foreignness and the gendered and racialized discourses of transnationality. The chosen example is Alejandro González Iñárritu’s film Babel (2006). Self-consciously “global” and dedicated to the exploration of intercultural contrasts and conflicts, the narrative of Babel moves back and forth among the Moroccan desert, San Diego, a small Mexican town near Tijuana, and Tokyo, instilling in its audience escalating feelings of anxiety, uncertainty, and “liminal panic”. Lets discuss what message it transmits.

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